Blues Legend B.B. King Dies at 89 "King of the Blues"

Lenda do blues B.B. King morreu em Las Vegas, na quinta-feira com a idade de 89, segundo sua filha Patty King.

O nativo do Mississippi, que foi diagnosticado com diabetes há 30 anos, foi hospitalizado no mês passado devido à desidratação. Em outubro, ele foi forçado a cancelar oito datas da turnê por causa da desidratação e exaustão.

Conhecido como "King of the Blues", sua carreira durou mais de seis décadas, vendeu milhões de discos e influenciou uma nova geração de músicos de rock e blues.

Conhecido como "King of the Blues", sua carreira durou mais de seis décadas, vendeu milhões de discos e influenciou uma nova geração de músicos de rock e blues.

Ao longo dos anos, o rei ganhou 15 Grammys, incluindo o seu mais recente para o seu álbum de 2009, um tipo de Favor e foi introduzido no Rock and Roll Hall of Fame em 1987.

A indústria da música começou a mídia social para prestar suas homenagens ao ícone do blues.

French Montana ft. Lil' Wayne - Nova Track(Download)

 

 

 

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Lil Wayne Blasts Young Thug for ‘Carter 6’ Album Title

            

INGLES

Lil Wayne is less than pleased with Young Thug. The Young Money chief has slammed the Atlanta rapper for jacking his Carter 6 album title.
During an appearance in Jackson, Miss. on his “Release Partiez” club tour on Thursday, Weezy fired off some angry words at Thugger, who is pictured nearly naked on his Carter 6 album cover.
“Before I go any further, I want ya’ll to do me a favor and stop listening to some ni**as that pose naked on their motherfuckin’ album cover,” he said.
 

PORTUGUES Lil Wayne está nada satisfeito com jovem bandido. O dinheiro do jovem chefe bateu o rapper de Atlanta para roubar o seu título de álbum 6 Carter.

Durante uma aparição em Jackson, Mississipi, em sua turnê de clube "Lançamento Partiez", na quinta-feira, Weezy disparou algumas palavras com raiva no HENEOUS, que é retratado quase nua na sua capa do álbum 6 Carter.

"Antes de eu ir mais longe, eu quero sim todos para me fazer um favor e parar de ouvir alguns ni * * como essa pose nu seu maldito ' capa do álbum," ele disse.

Young Thug has stirred controversy for titling his album Carter 6. Earlier this week, he revealed that the album will be released on April 17.
However, he claims the title is an homage to his “idol” Wayne. “He did Carter I-V, I’ma do VI-X,” Thug told MTV News.
Weezy’s 16-year-old daughter Reginae previously called out Thugger on Twitter for disrespecting her father.

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P. tha Producer - Warriorz ft. Lancelote, Cali, Faya, Phill D, Beware Jack, Mass , Lennox, Fred Mineiro & God-G || Vídeo

O tema "Warriorz" faz parte da colectânea de hip hop #2675, produzida por P. tha Producer e que será disponibilizada para download gratuito em meados de 2015.

Regula - Casca Grossa || Vídeo Oficial

 

James Rosemond admite envolvimento na emboscada de 1994 a Tupac Shakur

Chefão do crime em Nova York confessou a culpa durante julgamento por tráfico de drogas        


James Rosemond, também conhecido como Jimmy Henchman, chefão do tráfico de drogas, já era acusado há algum tempo por um ataque ao rapper Tupac Shakur, em 1994. Ele agora confessou ter responsabilidade no caso, de acordo com o jornal Village Voice. Em outro julgamento relativo ao tráfico, Rosemond aparentemente admitiu envolvimento na emboscada. A transcrição do processo mostra Rosemond confessando responsabilidade durante uma sessão no tribunal no fim do ano passado, enquanto procurava uma forma de diminuir sua pena com um acordo de colaboração.

Em 1994, Shakur foi roubado e baleado em um estúdio em Nova York. Mais tarde, o rapper acusou o envolvimento de Rosemond na música “Against All Odds”, que gravou antes de ser assassinado em 1996. Em junho do ano passado, Dexter Isaac, o responsável pelos cinco disparos, afirmou que foi o empresário que o contratou.
De qualquer forma, nem Rosemond nem ninguém será julgado pelo caso, já que, segundo as leis de Nova York, o processo expirou há cerca de dez anos.

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J. Cole: I Wanted to Sign Kendrick Lamar   

J. Cole stopped by “The Combat Jack Show” for in-depth interview this week. During the two-hour conversation, the North Carolina MC spoke at length about the inspiration behind his new album 2014 Forest Hills Drive, staying out of Drake’s lane, protesting in Ferguson, and wanting to sign Kendrick Lamar.

Cole was introduced to the Compton MC in 2010 before either rapper had released their debut albums. “I met Kendrick at a time when all I had out was The Warm Up, nobody knew who he was, he didn’t have a deal,” he said. “He was signed to Top [Dawg]—I didn’t know he was signed to Top.”
But he immediately knew that K-Dot was a star. “I actually wanted to sign him, but I didn’t have my business right. I didn’t know he was with Top [Dawg],” explained Cole. “But in my mind, he was the first person I ever found. … I remember tellin’ everybody like, ‘Yo, I’m tryna sign this kid. Like yo, this ni**a’s nasty!'”

“I actually wanted to sign him, but I didn’t have my business right.”

He went to a release party for an L.A. group named UNI and saw Kendrick perform for the first time. “I’m lookin at this short, dark-skinned kid like, ‘Yo, who is this kid?’ and then he gets on the mic and murders. I’m a rapper’s rapper and I’m not easily impressed, and when I heard him I was instantly [impressed].”
He approached Kendrick to give him props, and K-Dot reminded him that they had met before at the 2010 XXL Freshmen shoot with Jay Rock. “He was like, ‘I was asking [the editors] to give me your spot.’ But they didn’t know who he was.”
Later that night, Kendrick emailed him two songs, “Pussy and Patron” and “Cut You Off.” “I was like, ‘Yo, I’m fuckin’ with this ni**a. I wanna sign this ni**a!’ From there, I felt compelled to always give him any jewels I could.”
He even helped put Dr. Dre on to him. “When I was in the studio with Dre I had to tell Dre like, ‘Yo, you ain’t never heard of Kendrick?’ And he was like, ‘Oh, Kendrick? Yeah, I’m supposed to be meeting with him soon.’ And I was giving him the crazy co-sign like, ‘You gotta fuck with Kendrick.'”

“I didn’t know the ni**a would go platinum before me, but I definitely saw it for him.”

And the rest is history. “This ni**a blew the f**k up and reached levels that I hadn’t reached. … I didn’t know the ni**a would go platinum before me, but I definitely saw it for him. I believed and believe.”
During the interview, Cole also touched on his infamous run-in with Diddy at a VMA after-party in August 2013. “It was just a quick disagreement that turned into something,” said Cole. “Never been a beef, never is a beef. … It was too quick to really be considered a fight.”
Listen to the full two-hour interview below.

New Music: Rihanna, Kanye West, & Paul McCartney – ‘FourFiveSeconds’

        

The wait is over. Rihanna surprised her fans on Saturday by debuting her new single “FourFiveSeconds” featuring Kanye West and Paul McCartney. The stripped-down track, which was released to iTunes via Roc Nation and Rihanna’s own company Westbury Road Entertainment, features the Beatles legend on guitar and RiRi’s raw vocals.

“I’m ’bout four, five seconds from wildin’,” she sings, while ‘Ye responds, “Hold me back, I’m ’bout to spaz.”
Rihanna’s eighth album is due early this year, and marks her first project since departing Island Def Jam. She has enlisted hitmakers including Mike WiLL Made-It, Ne-Yo, and DJ Mustard. In an interview with Rap-Up TV, “No Flex Zone” duo Rae Sremmurd also hinted at a collaboration and Super Bowl performance with the pop superstar.
Hear the power trio unite on the acoustic jam.

Listen via RihannaNow.com

New Music: Lil Wayne – ‘Sh!t (Remix)’

    

      

É hora do Tunechi. Enquanto esperamos por Tha Carter V, Lil Wayne está segurando os fãs sobre com sua próxima mixtape 4 desculpa a esperar 2. O chefe de Young Money vem volta balançando no primeiro lançamento, um remix do futuro "Sh! t," na qual ele pede desculpas a seus fãs para a espera e promete não decepcioná-los.

"Eu estou batendo Carter V no iPod / minha puta louco como o inferno, porque ainda não fora / ela disse logo como estes ni * * como ver seu merda nova / eles gon' tem que dar seus estilos de volta," ele canta.
Ele também aborda sua precipitação altamente publicitada com Birdman e em dinheiro. "Cumpri a minha pena em dinheiro / tempo servido e lançado, mas esse agente não é de graça."

Bem-vindo de volta, Weezy.

It’s Tunechi time. While we wait for Tha Carter V, Lil Wayne is holding fans over with his upcoming mixtape Sorry 4 the Wait 2. The Young Money chief comes back swinging on the first release, a remix to Future’s “Sh!t,” on which he apologizes to his fans for the wait and promises not to let them down.
“I’m bumpin’ Carter V on the iPod / My bitch mad as hell ’cause it ain’t out yet / She said soon as these ni**as see your new shit / They gon’ have to give their styles back,” he raps.
He also addresses his highly-publicized fallout with Birdman and Cash Money. “Did my time at Cash Money / Time served and released, but this agent ain’t free.”
Welcome back, Weezy.

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New Music: Willow Smith – ‘HEART’

 

EM PORTUGUES

 

 

Willow Smith descobre o "coração" em seu primeiro lançamento de 2015. Seguindo seu EP 3 em novembro, a cantora de 14 anos foge para outro planeta na canção spacey, produzida por Chaotic aka DJ Fabrega.

"Eu pensei que eu ia postar algo celebrando o fim dos tempos caóticos enquanto eu não era capaz de fazer logon nessa conta, um pouco", disse Willow, que estreou a faixa de dois minutos no SoundCloud.

No mês passado, ela envolveu seu stint no "Enter the Void Tour" com Jhené Aiko e SZA.

Ouvi o som experimental de Willow está abaixo

 

EM INGLES

Willow Smith bares her “HEART” on her first release of 2015. Following her EP 3 in November, the 14-year-old singer escapes to another planet on the spacey song, produced by Chaotic aka DJ Fabrega.
“I thought I’d post a little something celebrating the end of the chaotic time whilst I wasn’t able to log in this account,” said Willow, who debuted the two-minute track on SoundCloud.
Just last month, she wrapped her stint on the “Enter the Void Tour” with Jhené Aiko and SZA.
Hear Willow’s experimental sound below.

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